Arabia Felix p. 1
“The depth of the Syrian tragedy is poignantly reflected in the accounts of its victims. Their harrowing experiences of survival detail grave human rights violations, war crimes and crimes against humanity. The destructive dynamics of the civil war not only have an impact on the civilian population but are also tearing apart the country’s complex social fabric, jeopardizing future generations and undermining peace and security in the entire region.”
Report of the independent international commission of inquiry on the Syrian Arab Republic.
United Nations General Assembly
Human Rights Council
Twenty-second session
Agenda item 4
A/HRC/22/59
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We tend to see the frame as the image itself, objectifying the photograph instead of looking through it to understand.
Often our imagery is produced by highly educated “seers” as a product of a civilisation that has been taught to view the world in a singular way.
These Polaroids were shot in and around Syria in 2012/2013 and are all related to the ongoing conflict. Each Polaroid has been exposed as well as composed correctly, but the exposed negative has never been removed from the photographic paper.
Right after the moment of exposure the Polaroid has been handed over to people present in the situation with a request for them to write on the back of the picture. No direction or explanation of what to write has been given, this has been left completely up to the individual.